Six quirky but doughty children confront the trail of a immense and terrible paranormal darkness that has entered our world from the farthest reaches of darkness. They must devote their lives fighting it, facing terror upon terror in the process.
This outlines the narrative, in essence, of Stephen King’s novel It (a standout in his career; undeniable). It parallels of the celebrated author’s heir Joseph Hillstrom King’s latest horror doorstopper, in which six friends invoke the age-old, deeply sinister serpent the Sorrowful Monarch from the Long Dark to aid them in overcoming some baddies. Needless to say, their otherworldly invocation goes awry.
Joseph Hillström King began his writing journey striving diligently to remain separate from his famous father, using the pseudonym he maintains to this day and eschewing in-person meetings with his agent (he bears a uncanny likeness to his parent). However, in his newest work, he fully acknowledges it. Several quotes that deliberately echo some of the senior author’s well-known (the famous Dark Tower introduction); a incident that brings to mind a signature King element (a battle of wits). In this epic story, Joe Hill takes pleasure in his heritage, and we delight along with him.
Returning to the group: most are pupils at the imagined this academic setting in Maine. There’s Arthur, studious and intelligent, cracking Old English riddles in his spare time; another key figure, affluent, clever, and prone to trampling anyone who stands in his way; the twin siblings; the beautiful Allie. Then we have Gwen, who remains outside their academic circle, but becomes a key part of their circle as they toy, partly convinced, somewhat doubtful, in supernatural practices.
The protagonist finds himself, due to circumstances beyond his control, obliged to take valuable volumes from his cherished academic collection by a group of neighborhood thugs. This tears at his bookish heart, notably because he’s forced to acquire the library’s most valuable and chilling title: the diary of adept this enigmatic character (executed “for conspiring with dark forces in 1703”; the binding is crafted from his flesh). The intrepid group examine the log, discover they could summon what Crane describes as a armoured devil” to help Arthur out with his extortion dilemma – and occupy the subsequent narrative reaping the consequences. This ancient entity will indeed rid them of those problematic neighborhood criminals, but they’ll have to choose a different victim annually or succumb to the dragon’s wrath. As Arthur later puts it: “You plant seeds of destruction, all you get is additional horrors.”
Covering a generation, Joe Hill transitions with seamless grace between genres: as the allies attempt to deal with the predicament they find themselves in by, variously, selecting clearly malevolent individuals to sacrifice, or seeking means to destroy the entity themselves, we move between page-turner to dark fantasy, clandestine torment to romance to horror. A standout transition was to a quest story, far beneath the surface beneath this UK region, a segment tinged by the Lord of the Rings author that was magnificently horrifying.
We encounter trolls – those living under bridges and digital trolls, properly scary and expertly realized. We see enchanted blades and betrayals, pulse-pounding sequences of bravery and scenes of appalling malevolence, both human and extraterrestrial. This is a remarkable achievement: a chilling book that is chiefly a ode to the human inventiveness, and to devotion and companionship. “We required a narrative to trust and {now we’ve got one|presently we possess it|currently we hold it,” says the wealthy student as the friends assemble around a surface, making preparations to call forth their serpent into existence with the force of their minds.
According to Joe Hill in his introductory quote: “This is dragon territory”. Do not overlook this.
A tech enthusiast and business strategist with over a decade of experience in digital transformation and startup consulting.